The importance of High Pass and Low Pass filters

EQ is probably the real emblem of mixing, the base of every mix that you can call “professional”. Using EQ correctly you could find you don’t need anything else to mix, just EQ and compression.

In audio engineering world, you always hear “High Pass Filter” and “Low Pass Filter”, but what are they? They’re just EQ with one frequency only. Above or below that frequency everything is cut and the remaining frequencies “pass” through. With an High Pass Filter you make all the spectrum above the frequency you set to pass, cutting everything below. With a Low Pass Filter you do exactly the opposite. Simple, insn’t it?

I like to use filters, I use them as a starting point for everything I think a track needs to sit well in a mix, I mean, on every track. You can take it as a rule of thumb, each track has a lot of frequency information on the lower part of the spectrum that is not needed. If you don’t filter, you could have serious problems when you have lot of tracks. A distorted guitar (even with the most distorted sound in the world) doesn’t need quite anything below 100Hz, you can test it. When the number of tracks in a mix becomes higher you could start to have serious muddiness or boominess problems if you don’t filter, especially with guitars in heavy metal mixes. An High Pass Filter is what can save your mixes as the tracks increase, if you use it the right way you can A) keep your mix “clean” and B) delete from each track what is not needed. We can say that these are all “technical” advices.

In a mix you can use filter even in a more “creative” and crafting point of view: if you read my post on layered bass, you could remember how I used EQ to build the sound, they were exactly an High Pass Filter and a Low Pass one. But you can use it also on backing vocals tracks! A low Pass is a blessing when it comes to “push back” choirs and backing vocals, to let the lead stand out. This way you can blend lead vocals and backings way better. Just try, a simple filter can save your mix life.

To show you the benefits of filters, I recorded quickly this clip: double tracked guitar (pan hard left, hard right), bass and a drums part composed with the standard kit of EZDrummer. I didn’t EQ anything, I just filtered. If you listen to the file before and after applying the filters with good studio monitors or good headphones you’re going to hear a big difference: on guitars the LPF will cut the “digital” sound of the amp simulator (TSE X50 with God’s Cab, check out my post on heavy guitar tone for dummies with free plugins) that can be annoying on high frequencies, the HPF cleans kick and bass to better blend them.

This is the clip without filters:

And this is with filters:

To make it more clear, here you are just the guitars, before and after the filters:




  1. Brian Taitt says:

    I enjoyed reading your article. I am just about to include live drums in my studio and would like to use lo/high pass filters. Ten – twelve channels of it would be ideal. Could you tell me where I can get those filters and what would you recommend.

    Your help is greatly appreciated.



  2. Santo says:

    Hi Brian! Thank you for your comment. If you’re referring to hardware filters I think I can’t be so much helpful as I usually mix everything in the box. Anyway you could just record every channel with your audio interface and then apply your filters (even for live playing) directly in your DAW, sending the reference mix to the drummer headphones. Depending on the DAW you use there are many ways you can achieve this purpose 🙂

  3. Giacomo Biondelli says:

    Hey, bell’articolo, grazie! Scusa, ma l’high pass, su che frequenze andrebbe bene?

  4. Santo says:

    Ciao Jack! Non esiste una vera e propria regola o un range di frequenze ben determinato. Usando un high pass per “pulire” un po’ la traccia si potrebbe andare anche oltre i 100Hz, l’importante è che non si snaturi completamente il carattere dello strumento che stai processando. Se ti accorgi che i bassi caratteristici dello strumento sono spariti vuol dire che stai filtrando troppo 😉 fidati delle tue orecchie e vedrai che andrà  benissimo 🙂

  5. Giacomo Biondelli says:

    Capito, ma sai, sono nuovo e quindi non ho l’orecchio molto esperto… Grazie comunque! Ah, un’altra cosa, avrei molte incertezze da chiarire sul suono della chitarra, non è che potrsti darmi qualche delucidazione, magari via mail o su facebook?

  6. Una volta messo il low pass filter all’inizio della traccia, come faccio a far sì che man mano che la traccia prosegue questo filtro svanisca gradualmente?

  7. Santo says:

    Ciao Dario, per ottenere quel risultato io uso un’automazione in Reaper. Ho fatto un piccolo video al volo per farti capire, nel mio caso ho usato un filtro high pass ma ovviamente il principio si applica allo stesso modo per un low pass. Spero di esserti stato d’aiuto. A presto!

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